During
the first part of a fugue, its initial melody is presented in a slightly
altered way each time it is played, because each voice or instrument introduced
sings or plays higher or lower notes than those used at the very beginning of
the piece.
As the
fugue develops, the initial melody and its accompanying ‘counter subjects’ are
stretched, shortened, modulated, swapped between voices and instruments and
variously combined in new, interesting and stimulating ways. Creative synergies
are sort between different and competing musical ideas.
The
above aspects of fugue can be applied to many of the more complex problems
presented to us.
A
characteristic of complex problems is that most of the issues involved can be
fairly equal in importance because of the influence they have on each other
(just like the melodies and counter subjects within a fugue). Sometimes,
therefore, the more we try to break down a problem and address its component
parts, the more difficult and challenging it can become; the solutions we
propose in one area of the problem begin to cause unforeseen complications
elsewhere, perhaps even making things worse.
In
these circumstances it is usually best to build up our perception of the
problem rather than break it down into compartmentalised chunks. Instead of
focusing on each detail separately, look carefully for any new insights created
by the counterpoint that exists between them. When different people describe
the problem how does it sound, look or feel? What similarities and differences
are there between the various descriptions? When two parts of the problem are
put side by side how do they look together? Are there any unexpected
connections or relationships between them? Add in other related issues or
problems. How does the picture evolve as the component parts of the problem are
brought together? What patterns or consistent messages emerge when all the
diverse issues and problems are considered as an interrelated whole?
The
above process of bringing together separate items can also be applied to the
generation of solutions to problems. When creating solutions explore what
happens when two or more separate ideas are considered side by side. Does
trying to identify connections between the ideas lead to even better solutions?
Can the best aspects of each idea be integrated into one idea that is even more
useful?
Fugues
were particularly popular during the Baroque Period of Music (1600 to 1750).
J.S. Bach was one of the greatest of fugue writers, as exemplified by his The
Art of Fugue BWV 1080.
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